Slowly he discovered more experimental non-pop musics, leading to a foundation course and subsequent BMus degree in Scott McLaughlin is a composer and free-improviser (cello, live electronics) based in Huddersfield, UK. My first orchestra piece will performed by the RTÉ National Symphony Orchestra in Dublin on May 16th. Scott McLaughlin, composer. 28/10/2017, bifurcations in continuous systems performed by Sebastian Berweck (kbd) at SinusTon, in Magdeburg, Germany, 9pm, 13/10/2017, Mira Benjamin performs The Endless Mobility of Listening for violin and live electronics in Oslo. Jan. 2012 "There are Neither Wholes nor Parts: Issues of notation and Performance with Multiphonics" joint paper with Iain Harrison, SPEEC, Uni. July 2011 Whitewater on Eric Honour's, Phantasm: Music for Saxophone and Computer, 2011 Ravello Records. Scott McLaughlin is an Irish composer. Scott Mc Laughlin is a composer and improviser based in Huddersfield, UK, born in Ireland (Co. Clare). The blues musician, jazz musician… Scott also does a great job of explaining all of these things as a non-player himself. Jun. 14/01/2018, Perisonic will be performed in full at Schwankhalle, Bremen. Tom Dorsey was the god-father, if you will, of Gospel Music… Who was he? [CANCELLED DUE TO COVID] 18/04/2020, In the unknown there is already a script for transcendence for prepared-piano and magnetic resonators, played by Zubin Kanga at the Music Current, 8pm Project Arts Centre, Dublin. Pianist Zubin Kanga will perform three world premieres, including a new work by Scott McLaughlin, titled In the unknown there is already a script for transcendence. Oxford, 02/05/2019 7pm, Der Greise Kopf for Metapraxis Ensemble with phone playback. You’ll see him having a go, constantly. 1/7/2017, Cartographies of Sheet Metal for multiple bowed cymbal players. She graduated with an MMus in Critical and Experimental Composition led by Scott McLaughlinand Mic Spencerat the University of Leeds. Born in Ireland (Co. Clare) in 1975. published in proceedings book in 2012. The September release of Live @ Ronnie Scott’s will be followed by the Meeting of the Spirits Tour – a series of November and December shows undertaken in collaboration with one of McLaughlin’s favorite musicians, American guitarist Jimmy Herring. 17/03/2014 Huddersfield and 21/01/2015 Brunel, a string vibrates in two directions. Cafe Oto, 26/04/2019 2–3pm, Anarchiving Resonance, performance and open workshop of new work developed with Jessica Aszodi. 29/4/2017, Threads of the Social performed by LSTwo Strings (string ensemble) and Mira Benjamin at Leeds International Concert Series in Clothworkers Centenary Concert Hall, Leeds, 19.30pm. Slowly he discovered more experimental non-pop musics, leading to a foundation course and subsequent BMus degree in music at the University of Ulster at Jordanstown, completed in 2001. ACTRA RACS, Artisti & MROC: Which Is the Right Choice for You? Conversations with musicians about their approach to making music. Michele Abondano (b. And to Bryan Holt , a Charlotte, NC based composer and Ian Scott Holmes, a Scotland based composer who have created evocative, original scores to compliment 300 Years of Good and Energy of Nuns, respectively. 20/12/2019 The Endless Mobility of Listening, Mira Benjamin at Iklectik London, 4/12/2019 Surfaces of Emergence for 6 feedback guitars, played by students of Goldsmiths (University of London), Nov 2019, like stones skipping on a lake, solo flute, included on a new CD by Kathryn Williams as part of her 'Coming up for Air' project. Born in Ireland (Co. Clare) in 1975, he wanted to be a scientist but instead spent his early 20s playing guitar in art-indie bands between Galway and Belfast. Scott McLaughlin, hcmf//, April 1, 2012 As part of hcmf//’s exchange with Quatuor Bozzini ’s Composer’s Kitchen , myself and five other composers spent a week in Montréal working with the quartet, along with mentors Christopher Fox and Malcolm Goldstein . Her creative work has been developed in the fields of acoustic and electroacoustic music as well as live electronics and collaborative works with dance. 'My recent music tends more and more to an reductionist exploration of resonance; the indeterminate harmonies of vibrating objects, and the interacting contours of human and material agency.'. She has been winner of the Call for… The cello solo intra-actions (2013) and work for six electric guitars surfaces of emergence (2013) build on this by altering the environment of the instrument with periodic gradual detuning. Scott's research takes non-linear and unstable elements of instrumental sound and treats these as locally unpredictable systems (weighted unpredictability, similar to markov chains) within globally indeterminate cybernetic system of performer-score-instrument. 5/1, Summer 2012. Scott McLaughlin is an award-winning composer.He has composed music for television, radio and films. Of Oxford. Modeling Conference, Athens. Scott McLaughlin Music. Released on Huddersfield Contemporary Records, 20/06/2019 7pm, Contingent Harmony for Explore Ensemble (fl, cl, pno, vc, vla, vn) with preparations and resonator. 28/4/2017, Perisonics at Music Current 2017 in Smock Alley, Dublin, 27–31/3/2017, I'll be in Berlin taking part in Forecast Platform. Scott McLaughlin is known for his work on No Charge (2015), Last Summer on Earth (2012) and Paul Murray Live (2010). Scott McLaughlin is a composer and free-improviser (cello, live electronics) based in Huddersfield, UK. 19 Fishamble Street • Temple Bar • Dublin 8 • Ireland   |   T +353-1-673-1922   |   E info@cmc.ie ). Born in Ireland (Co. Clare) in 1975, he wanted to be a scientist but instead spent his early 20s playing guitar in art-indie bands between Galway and Belfast. If you are interested in custom music for your project, please reach out to me. For example, the set of single-reed pieces there are neither wholes nor parts (2011-13) uses only multiphonics but treats each multiphonic as a system with multiple possible pitch outputs of varying probability: wind multiphonics are unstable at low dynamics, and may collapse onto one of several possible pitches. Nov. 2010 "Dissolution: a Study in Collaboration", with S. Berweck, RMA Study Day, University of Leeds. Scott McLaughlin is a composer and free-improviser (cello, live electronics) based in Huddersfield, UK. 2012 "Imperfect balance: Musical composition by exciting periodic and near-chaotic regimes in coupled metal cymbals", 5th Chaos Simulation and 16/5/2016 I'm very pleased to have been selected to participate in Composer Lab. Listen to 8 episodes of on composition on Podbay - the best podcast player on the web. 29/11/2015 Untitled (for Bob) performed by Trio Scordatura at muziekgebouw (Amsterdam) as part of 'Nicola Vicentino, a second life' at MicroFest Amsterdam 2015. Also to be April 2018 "Notating Materiality", video-paper given at the Material Cultures of Music Notation conference in Utrecht. (related to bifurcations in a continuous system). Mar. Diego Castro (solo guitar – 5’), June. Mar. He lectures in composition and music technology at the University of Leeds. 7/02/2019, In the unknown there is already a script for transcendence for prepared-piano and magnetic resonators, played by Zubin Kanga at the Free Range in Canturbury. 8/10/2016, Snowflake performed by Peyee Chen (sop) at Alba New Music in Edinburgh, 7:30pm. Her main interest is to explore timbre, especially, its multidimensional and dynamic condition. Recent performances have been given by Manon Quartet, Dublin Sound Lab, National Symphony Orchestra of Ireland, LSTwo, and Mira Benjamin. Oct. 2017 "Material Indeterminacy and De-centred Practice", guest lecture given at SoMA, Bath Spa University. Jan. 2016 "Material Agency and Indeterminacy as Musical Structure", a public lecture given at University of Wolverhampton, video here. 1981, Colombia) Composer, researcher, and experimental performer. You’ve got to feel something. RANDOLPH SCOTT-McLAUGHLIN: This music has one message. He also attended the Ostrava Days Summer School (Czech Republic) in 2005 and 2007, and attended the Ennis/IMRO Composition Summer School from 2000 to 2002. On 16 February 2016 in the Contemporary Music Centre, we were visited by composers David Fennessy, Amanda Ferry, Eric Skytterholm Egan and Scott McLaughlin to mark the beginning of a new pilot initiative run by the RTÉ National Symphony Orchestra and CMC, entitled Composer Lab. Currently Scott is working on an AHRC-funded 18-month practice-research project exploring compositional strategies for working with Heather Roche and Jonathan Sage on the indeterminacies of the clarinet, see The Garden of Forking Paths. His research is compositional, a practice-led exploration of the physical materiality of sound and the local teleology of performance, combining approaches from experimental music with dynamical systems theory and philosophy to explore autopoiesis and recursive feedback systems in constraint-based open form composition: especially concerning resonance and perceptual ambiguity on both macro/formal and micro/spectral scales. Currently he teaches composition and music-technology at University of Leeds, and still enjoys reverb-drenched feedback. His research focuses on the physical materiality of sound and performance, combining approaches from spectral music and experimental music with dynamical systems theory to explore autopoiesis and recursive feedback systems in constraint-based open form composition. 4/12/2016, Reciprocal Structures performed by Mira Benjamin (vln), Dom Lash (bass), and Scott McLaughlin (feedback guitar) at Hundred Years Gallery in London, 4pm. Music Together of Charlotte. What is it to make? His research focuses on the physical materiality of sound and performance, combining approaches from spectral music and experimental music with dynamical systems theory to explore autopoiesis and recursive feedback … Scott McLaughlin, Composer: No Charge. Composers Amanda Feery, Eric Skytterholm Egan and Scott McLaughlin selected to participate in the first Composer Lab » New Music Digest: 25 – 31 January ConTempo String Quartet (photo: Francis Marshall) 2012 "Issues in Application of Chaos in Acoustic Composition", 5th Chaos Simulation and Modeling Conference, Athens. Performance Redefined The 2011 Huddersfield Contemporary Music Festival included extreme durations, music with found objects, non-orchestral music for orchestra as well as on-stage boxing and wrestling. The performance involved setting up a basic feedback loop, then very slowly moving around that to find the edge of feedback. A profile of the composer Scott McLaughlin, along with a list of their works available to browse and buy. As part of our recent forum at the RMA2018 annual conference, we invited composer Scott McLaughlin to respond to three conceptual threads with reference to his own making: DOING, KNOWING, and MEETING. Aug. 2012 "If a tree falls in an empty forest…: Problematization of liveness in mixed-music performance", Journal of Music Technology and Education, You leave here, you should feel better then when you came in the door. Composer-composer-performer: Risk-taking in Collaboration and Composition Posted on March 30, 2015 by heatherroche This is the first in a series of posts I’ll be writing over the next couple of months, documenting the process in a three-way collaboration between two composers (Mic Spencer and Scott McLaughlin) and one performer (me! A full text of Scott’s contribution can be read below. 06-07/11/2015 & 14/11/2015 in Wiltshire, Snowflake performed by Juliet Fraser at Corsham, Upavon, and Minety. Performed by Manon Quartet at 840 concert series London. 21/5/2015, Leeds, objects exceed our access to them for (euph, cl, fl, sax, amplified cymbals). The debut album from Scott McLaughlin, an Irish composer of immersive, experimental music, currently based in the UK. Sept. 2017 "Material Indeterminacy", paper given at ISACS2017 conference, ZKM. Born in Ireland (Co. Clare) in 1975, he wanted to be a scientist but instead spent his early 20s playing guitar in art-indie bands between Galway and Belfast. His debut CD "There are neither wholes nor parts" was recently released on Ergodos Records. 20–24/11/2018 (1–4pm), Sonic Bodies interactive installation (movement sonification) as part of Being Human Festival at the Leeds Art Gallery, 25/11/2018 (3pm), In the unknown there is already a script for transcendence for prepared-piano and magnetic resonators, played by Zubin Kanga at Transistor Festival, Mälmo. Opening Hours: Monday to Friday 10am to 5.30pm, Calls for Works and Commission Opportunities, amplify #20 - Amanda Feery, Lina Andonovska, Scott Mc Laughlin and Áine Mallon, Composers Amanda Feery, Eric Skytterholm Egan and Scott McLaughlin selected to participate in the first Composer Lab. Montréal, avril 2012 This interview was recorded in April… Scott McLaughlin, Composer / Compositeur on Vimeo Highly Recommended "Deep and life long to music education, gifted performer. " Uni of Leeds, Great Hall. McLaughlin writes of the work: Welcome!. 2008 Bifurcations included on CD compilation, 'Contemporary Music from Ireland: Volume 7'. Aug. 2010 "SpectralConway: Cellular Automata off the Grid", ICMC 2010, New York. Uni of Leeds, Concert Series, 19/06/2019 7pm, Contingent Harmony for Explore Ensemble (fl, cl, pno, vc, vla, vn) with preparations and resonator. FEATURES,Kevin Young,Luther Mallory,iskwē,Mark Makoway,,Rob Cooper,Armando “Yogi” Garcia,Scott McLaughlin,musician advice. This is my page to showcase music that I am composing. Requested by Tom Mudd for his Control exhibition. November 9, 2018 The Cross-Eyed Pianist Interview Leave a comment. 79 likes. Canadian Musician was founded in 1979 and continues to serve the Canadian music community with entertaining, informative, and insightful content. Scott McLaughlin, Composer Resonant Systems: multiphonic resonance complexes in sine-wave excited cymbal clusters This forms part of a larger project of compositional research that treats instruments as resonant spaces, examining how different forces activate and sculpt the natural resonant frequencies of that space, and composing pieces that explore this harmony either systematically or performatively. Scott McLaughlin is a composer and improviser based in Huddersfield, UK. 17/11/2018 (4pm), In the unknown there is already a script for transcendence for prepared-piano and magnetic resonators, played by Zubin Kanga at the Huddersfield Contemporary Music Festival, Phipps Hall, Uni. V ocal group HYOID Ensemble will premiere Jennifer Walshe ’s A History of the Voice (22 November), while pianist Philip Thomas will perform Christopher Fox ’s senza misura across five different performances. 13/04/2019 7pm, Der Greise Kopf for Metapraxis Ensemble with phone playback. "Scott McLaughlin is an accomplished musician and composer. " 27 years old, Racing the #3 Team Penske Indycar 04/05/2018, Repetitions and variations transform one another for LSTwo ensemble will be performed at CCCH, Leeds. Entrevue menée dans le cadre du Composer's Kitchen, l'atelier du Quatuor Bozzini. 22/02/2019 (1pm), In the unknown there is already a script for transcendence for prepared-piano and magnetic resonators, played by Zubin Kanga at the University of Leeds International Concert Series, Clothworkers Concert hall, Uni. 23–24/06/2018, Bee Music (draft 1) for tape will be presented at Rothamsted Research 'Festival of Ideas', Harpenden. Tickets £8 (£6 concessions). Phyllis Fulton. Subscription rates: 1 year(6 issues)- only $14.95 2 year(12 issues)- only $22.00 3 year(18 issues)- only $29.95 5 year(30 issues)- … ... Who or what were the most significant influences on your musical life and career as a composer? 2011 "Problematisation of Live-ness in Mixed Music Performance", FiMPAC, Leeds College of Music. Jun. of Huddersfield. Sep. 2011 "Hysteresis and Recursion in my Recent Music", Music and Minimalism Conference, University of Leuven. He graduated in 2009, under the guidance of supervisors Pierre Alexandre Tremblay, Bryn Harrison, James Saunders and Christopher Fox. Follow the composition of the piece at my new blog here. Mar. April 28, 2012, Composer’s Kitchen 2012: Concert, Chapelle historique du Bon-Pasteur, Montréal (Québec) A Metastable Harmony Scott McLaughlin; Year of composition: 2012 Duration: 12:00 Instrumentation: string quartet Concerts His music is concerned with relationships between minimal processes of transformation and proliferation: ideas of recursion, hysteresis, difference, cluster-microtonality, chaos/complexity theory, and interactivity. Immediately arresting and all-consuming, the album features highly focused performances by Quatour Bozzini, Trio Scordatura, Jonathan Sage, Iain … 2011 "Schema for Undermining Memory in Experimental Music", Time's Excesses Conference, University of Caen, France. Somewhere between that and completing his PhD at the University of Huddersfield in 2009, he reconnected with science via music, with the help of supervisors Pierre Alexandre Tremblay, Bryn Harrison, James Saunders, and Christopher Fox. The score guides the player with a preferred path, but the nature of the medium allows for other possible outcomes which then determine the multiphonic chosen next. 9,057 talking about this. He lectures in composition and music technology at the University of Leeds. Performed by Scott McLaughlin and Joe Whelan at Performing Indeterminacy conference in Leeds. 17/11/2015 Reciprocal Structures performed by Dominic Lash at Circus London as part of collaborator Shelley James' exhibition. 5/12/2016, bifurcations in continuous systems performed by Michael Quinn (kbd) at Smock Alley in Dublin, 8pm. 24–26/05/2018, Perisonic (full version) has been selected for installation at Elektro Arts Festival, Gheorghe Dima Music Academy in Cluj-Napoca. The constant feedback between bow-activity and formant resonance is a hysteretic system where resultant pitches act as targets to guide the performance. 2018 "Composing for contingent materiality in performance", paper given at HARP2018 conference (Hub for Artistic Research) at the Royal Northern College of Music. Well, non-professional. 6/5/2017, The Careful Plaiting of Weak Ties for prepared string quartet. Published by Contemporary Music Centre, Dublin. Mar. Most recently his music has been performed by Seth Woods, Mira Benjamin, LSTwo Ensemble, Diego Castro, Duo Hevans, and Quatuor Bozzini. In 2020, she was selected for Yorkshire Sound Women Network’s ‘Sound Pioneers’programme for which she’s devising a large-scale multichannel work for Huddersfield Contemporary Music Festival 2021. Jeff Turk from Omega Search, Inc. See more Are you sure you want to delete this recommendation? The initiative is aimed at composers registered with CMC who have had their work performed … Scott Mc Laughlin is a composer and improviser based in Huddersfield, UK, born in Ireland (Co. Clare). After a further couple of years he was fortunate to receive Arts Council funding for an MA and PhD at the University of Huddersfield. Blues for Horatiu for solo piano performed by Reinier van Houdt at Cafe Oto on weds evening in London. The string quartet a metastable harmony (2012) applies this principle to strings, where drone-bowing of open strings, becomes a reservoir of possible partials isolated by right-hand techniques only. Summer 2016, the wonderful Mira Benjamin takes my new concert-length piece for violin and live electronics, The Endless Mobility of Listening, on tour to Canada (BC) and UK. 22/02/2019, In the unknown there is already a script for transcendence for prepared-piano and magnetic resonators, played by Zubin Kanga at the Royal Holloway University. 17/3/2017, M. Grisey, his Galliard (string orchestra, 2005), Bifurcations (clarinet quartet, 2007), and Blues for Horatiu (piano, 2016) at Minzu University, Beijing. Contact: email scott at lutins dot co dot uk or see my university page, Listen: YouTube Playlist,     SoundCloud,     BandCamp page. 7/12/2016, Reciprocal Structures performed by Scott McLaughlin (prepared cello) at Sounds Between Festival in Guildford, 5.30pm. 9/9/2015, London, Cafe Oto, 'wax-on, wax-off'. If you ever wondered what use it would be to get yourself a clarinet to try some of these things out as a composer, you … LS2 Ensemble, Clothworkers' Centenery Concert Hall, University of Leeds. Her work with composer Scott McLaughlin began with his string quartet, a metastable harmony (2012), written for the Quatuor Bozzini while Benjamin was a member, and was furthered with The Endless Mobility of Listening for violin and electronics. Nov. 2010 "SpectralConway: Cellular Automata off the Grid", Earzoom, Ljubljana. Scott McLaughlin is a composer and free-improviser (cello, live electronics) based in Huddersfield, UK. ", Off The Staves Conference, Bangor (Wales). By Michael Raine • September 30, 2019 • 0 Comments. 2010 "What Remains: musical structure as a function of notation in experimental music. May/June 2016, Snowflake performed by Juliet Fraser at: 5 May BARBOUR ROOM, SAGE GATESHEAD; 14 May HEPWORTH WAKEFIELD; 18 May UNION CHAPEL BAR, LONDON; 18 June PENINSULAR ARTS, PLYMOUTH UNI. of Leeds. Nov. 2016 "Materiality Topologies and Critical Technical Practice", paper given at Orpheus Institute (Ghent, Belgium) at the Composition as Critical Technical Practice Symposium. Mar. And another performance of Untitled (for Bob) performed by Trio Scordatura on 7pm on Tuesday at City University. a particular constellation of openings and closures by Scott McLaughlin, released 12 May 2020 1. a particular constellation of openings and closures A single long take improvising on Korg MS20 synth: using feedback via an external loop (through an Alesis Microverb III). 9/9/2016, multistable objects assembled around a common point performed by Duo Hevans (Eleri Ann Evans & Henri Bok) at 'Doctors in Performance' conference, Royal Irish Academy of Music, Dublin. Sep. 2013 "intra-agencies", CeReNeM Journal, issue 4. He was a late-starter academically, spending most of his 20s playing shoegaze/alt-rock guitar between Belfast and Galway, before studying music at the University of Ulster at Jordanstown (BMus 2001). Born in Ireland (Co. Clare) in 1975, he wanted to be a scientist but instead spent his early 20s playing guitar in art-indie bands between Galway and Belfast. Oct. 2011 "Framing, Filtering: Sites of Indeterminacy in the Text Scores of Manfred Werder", "Word Event" (text-score conference), Bath Spa University. 23/11/2015 (midnight show) Reciprocal Structures performed by Dominic Lash at hcmf// shorts. 29/2 - 2/3/2016 'The world according to Bob', a celebration of the work of Bob Gilmore, a good friend who is greatly missed. Special thanks to Musican-composer Scott McLaughlin of Charlotte, NC who has worked his magic on the past two movies. 14/11/2020 October Nocturns tape piece for Land Lines project. He lectures in composition and music technology at the University of Leeds. 7/2/2020 The whole is encountered by going further into the parts for prepared double bass, Christopher Williams, German Center for Venetian Studies, Venice. Music Current, 8pm Project Arts Centre, Dublin, University of Leeds International Concert Series, Canada: 23/06 ArtSpring Centre, Salt spring Island; 26/06 Open Space, Victoria; 27/06 Music on Main, Vancouver, UK: 04/08 Coffee Kabin, Huddersfield; 05/08 CAB Atrium Uni of Huddersfield; 07/08 Union Chapel (, Norway:[TBC] Nu Nord Festival, Cafetheatret, Oslo. 2011 "Dynamic Systems and Analogy in Experimental Music", Chaos Simulation and Modeling Conference, Technical University of Crete. Composers Amanda Feery, Eric Skytterholm Egan and Scott McLaughlin selected to participate in the first Composer Lab 29 January 2016 – 2:07 pm The RTÉ National Symphony Orchestra and the Contemporary Music Centre are pleased to announce Amanda Feery, Eric Skytterholm Egan and Scott McLaughlin as the composers selected to participate in the first Composer Lab. 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